Believe In Change
Sarah Palin (with the complicity of John McCain) is doing her best to stir the pots of racism and xenophobia in the waning days of their failing campaign. Her increasingly inflammatory remarks to crowds of agitated, undereducated, uninformed, and presumably economically on edge admirers are beginning to elicit the kinds of responses that reveal her and her followers for just what they are. Invoking Obama's middle name Hussein, then tying him to former Weather Underground member Bill Ayers, and finishing with a loud flourish that Obama and his "fellow" terrorist buddies don't represent the America that Palin and her supporters know and love, she has recently incited at least one person in the crowd to roar, "Kill him," while another shouted racial epithets at a black sound engineer (and momentary Obama racial surrogate/scapegoat) who was there with a local TV crew.  One has only to think back to recent American history in the South in the 1950s and 1960s and in Boston in the 1970s (to choose just two of numerous racially inflamed American moments) to recall what this virulent racism looked like and was acted out, as blacks (and sympathetic whites) became the victims of white mob violence and at worst murder.













That Palin and McCain (and their various conservative surrogates) seem to be comfortable inciting this same historical sense of frustrated and ignorant racism at a moment of profound national economic dysfunction speaks both to the desperation of their campaign and the lingering wellspring of racism that rests uncomfortably near the surface in this country. The profound moment of change that Barack Obama's candidacy (and soon presidency) heralds in this postcolonial era is causing extreme anxiety for those who still believe certain people ("that one" as McCain derisively referred to Obama in last night's debate) should know and keep "their place." 
                                                                                   















I grew up in New York as part of the first generation of black kids to be bussed out of their neighborhoods to schools in predominantly white communities. Considering that a lot of these folks whose kids we were now going to school with had moved to where they were in order to escape our family's move into what used to be "their" neighborhoods should give you a sense of the combustible situation we were being sent into in pursuit of a better education. I can't say that anything in my comfortable past up to that point could have prepared me for some of the encounters and situations I found myself in. Of course, these situations were lurking potentially anywhere outside of the safety of our homes, as I found out one day when my brother and I sat in the car while our mother made a quick visit to our family doctor, most likely to pay a bill or pick up some papers, since she was only gone but a few minutes. We lived in St. Albans, a by then largely black neighborhood  whose most famous inhabitant when I was growing up was the singer James Brown. We were only about a fifteen minute drive at best from our family doctor, Dr. Mardner, whose office was in Laurelton, then a largely white section of Queens. A few minutes after my mother went inside two girls, slightly older than my brother and I, approached our car. I innocently thought they were going to wave, say hello, and start a conversation, and looked anxiously out at them. Instead, after looking at us for a few seconds, they each picked up two large pieces of  ice from the snow covered ground and started pounding and scraping on the window with them, their faces twisted in rage as they shouted over and over, "Niggers, niggers, niggers!" Terrified, I thought the glass was going to shatter, but eventually--their anger spent--they threw the ice down and continued on. I couldn't for the life of me figure out what had prompted such rage in these two young girls, who moments before had looked to me like ordinary kids. 

This kind of hatred can only be taught. I found this out one day when a white sixth grade classmate of mine invited me to visit his home one Saturday afternoon. My parents (knowing better than I) made a big fuss about it, making sure I had fresh clothes after a morning at the local YMCA. My dad picked me up at the Y, and we proceeded the few miles to Lenny's home. Arriving at the block of row houses off of the Horace Harding Expressway, we located the address, rang the bell, and waited. When Lenny's mother answered the door, I can only imagine the look on her face. Since the adults were eye to eye and I was at my father's waist, I didn't quite get what transpired between the two adults. But the next thing I knew the door closed, my father and I were off of the front steps, and we began walking the length of the block to the corner, and then around the corner to the alley in the back of the houses, and then found the back door of my friend's house. He was waiting there with a terribly uncomfortable look on his face; his mother had clearly lectured him on inviting black people (of all things) into their home. I never saw her the whole time I was there. No milk and cookies were proffered, and my friend looked ill at ease the whole time, and we never went upstairs to his room, staying downstairs in the living room the whole time.  I can only imagine what was going through my father's mind as he attempted to salvage my visit and swallow his pride as he walked the long distance around to the rear entrance, the entrance that was reserved for those not worthy of passing through the front door. My friendship with Lenny cooled after that, of course,  though I continued to see him in class everyday, and occasionally saw him in the local library. Even on those occasions he didn't stop to speak, weakly acknowledging me from a distance. Lenny's mom had straightened him out.

Hearing of the xenophobic race baiting and the crowd's lusty response at the recent Palin rallies made me think again about the messy and unfinished business of race in America, and how after election day we will have finally begun to turn the page on a long and painful chapter. In the meantime, we have another few weeks in which to witness crowds of incited Americans, railing against a Harvard educated black man who would dare to run for the presidency, incited ironically by someone with the spottiest of academic histories and intellectual abilities. No one ever said that change was a pleasant thing to watch, but as the late tennis great and humanitarian Arthur Ashe once said, "Most people resist change, even when it promises to be for the better. But change will come, and if you acknowledge this simple but indisputable fact of life and understand that you must adjust to all change, then you will have a head start." Go to: (http://www.vimeo.com/1891955)

Photographs: (top) crowd harangues black students integrating Little Rock's Central High School, 1957/58; (middle) crowd assaults blacks sitting in to integrate a lunch counter in Nashville, TN; crowd assaults a black lawyer who wandered into an anti-bussing demonstration in Boston on his way to a meeting at City Hall, 1976. Photograph Copyright © Stanley Forman
4

View comments

Birmingham on My Mind

September 15, 1963 - Fifty Years Later

One night, many years ago, a book appeared in my suburban Jamaica, NY home. My parents had attended a lecture that James Baldwin had given at our church, Calvary Baptist Church, and had returned with the book in hand. While the church never struck me as a particularly activist one, our minister, Rev. Walter S. Pinn, had let it be known on more than one occasion that he had marched besides Dr. Martin Luther King, Jr. There was a small black and white photograph hanging in the church vestibule that proudly and permanently testified to that fact. Most likely my folks purchased the book after Baldwin's talk as part of SNCC's fundraising efforts.
3

On The Passing of Two Giants

This has been a difficult month, what with the loss of poet and activist Louis Reyes Rivera, and even more recently the esteemed artist Elizabeth Catlett. Both Rivera and Catlett were artists who were unabashedly forthright in their adherence to the cause of social justice, and equally as forthright in their adherence to practicing at the highest level of of their respective art forms.
4

Reshaping The Art/Museum/Public Experience

The past few months have been interesting ones for those interested in the ways in which art practice, public institutional practice and their various audiences interact. As the economy has taken a downturn lately public institutions have begun to think about the ways in which they do or do not engage that larger audience that their very survival depends upon.
6

The recent passing of Dr. Billy Taylor was marked by notices of his contribution to jazz music as both musician and advocate. Taylor, in addition to being a seminal jazz pianist, had sustained for over four decades a position as one of the music's most visible and preeminent spokespersons, having taken on the role of educator and institution builder among his numerous other accomplishments in the field.
2

Recent Censorship Recalls Spirit of an Earlier Era

In 1936 Adolf Hitler, German Chancellor, instructed Adolf Ziegler, president of the Reich Chamber of Fine Arts, to put together an “exhibition of shame”, depicting the “deterioration of art since 1910”. Ziegler gathered a group of what were called “art inspectors” to trawl through the public museums and galleries. The committee compiled everything from some 100 art collections they considered useful for defaming the Modernist movement.
7

John Boehner Fires the Opening Salvo

I had the rather auspicious fortune to be in Washington, DC for several days this past week when the opening salvo of a new round in the Culture Wars was fired by Congressman John Boehner.
6

A Different Kind of MoMA?

On a recent trip to New York I had one of those rare epiphany like moments where I found myself standing in front of a group of works that spoke clearly to how the work we do as artists might actually matter in the world. Such was the impact of this show on me that almost every other exhibition I saw both before and after in those three days came to feel almost meaningless, like so much empty, aestheticized and useless decoration.

National Endowment for the Arts chair Rocco Landesman was in Chicago recently, holding a series of meetings, gatherings, and conversations with various institutions and the arts community.

I was the speaker at the Yale University School of Art Commencement this past Monday. The School of Art ceremony followed the school wide ceremony on the Old Campus where, among others, Aretha Franklin fittingly received an honorary Doctor of Music degree. The feeling of well earned and shared accomplishment was palpable walking amongst the families of the graduates, and I was reminded yet again of the hard work and sacrifice that these moments are invested with.
4
Dawoud Bey
Dawoud Bey
Dawoud Bey
Photo © by Jason Smikle
About Me
About Me
Chicago, IL, United States
I began making photographs in 1969 after seeing the "Harlem On My Mind" exhibition at the Metropolitan Museum of Art. I had inherited my first camera the year before from my godfather Artie Miller when I was fifteen years old. I began my first project "Harlem, USA" as a direct result of that exhibition and my own family's history in the Harlem community. Born in Queens, NY my formal training began by apprenticing to local commercial and fashion photographer Levy J. Smith and then later studying at the School of Visual Arts with Larry Siegel, William Broecker, Shelley Rice and Sid Kaplan. I completed my undergraduate work at Empire State College under the guidance of Mel Rosenthal and Joe Goldberg and did my MFA at Yale University in the graduate photography program under the watchful and rigorous eyes of Tod Papageorge and Richard Benson, along with Lois Conner, Frank Gohlke, Susan Kismaric and Joel Sternfeld. Classes with Robert Farris Thompson and Michael Romer significantly rounded out my graduate work. A former Guggenheim and NEA fellow, I am currently Professor of Art and Distinguished College Artist at Columbia College Chicago, where I have taught since 1998.
"What's Going On?"
"What's Going On?"
Marvin Gaye's signature song "What's Going On?"--a musical critique of a world gone off track--provides an apt framework for looking at the role of art and cultural production in the larger society.

With so much art being made at all ends of the market, it's always a good thing for artists to look both forward and back in trying to access the role that art can play in a larger society, a society that actually exists largely outside of the distorting bubble of the Art World. When one of my students recently answered the question of why she was in school in an MFA program with, "So I can be a part of the system," I knew it was time for a reassessment and a forum from which to look at the various histories in my own little corner of the art and "real" world.

Artists used to be the ones who led the charge to challenge the system; they were the proverbial "fly in the buttermilk," the monkey wrench that mucked up the system and made it act, function, and exist in new ways. Artists were the ones who created paradigms of everything the system was not. James Baldwin once said, "Artists are here to disturb the peace."

This blog will range freely over a range of issues, highlighting individuals, events, and ideas that provide a catalyst for thought and reflection. Hopefully for younger artists it might provide a sense of a world both in and outside of the so-called art world, and hopefully provoke a conversation about the relationship between the two while offering a thought or two about just what ones work might be about as one attempts to engage both history and the contemporary moment.

For others this blog might serve as a window into how one particular artist, after three decades of practice, sees and thinks about the vast world of human social and aesthetic experience. Consider this my own small commentary or my brain periodically laid bare for your perusal and consideration.

Feel free to use the "Comments" button to share your thoughts and responses if so provoked.
OTHER BLOGS / OTHER SITES
Blog Archive
Loading